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Product Detail |
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The Line 6 Verbzilla features lush, studio-grade reverb in a compact stompbox unit. From great sounding spring reverbs to deep cave & wild ambient sounds - it's all here. This is no one-trick pony.
- '63 Spring - Based on the sound of a Fender 1963 brown spring reverb head unit. Best known for great surf guitar tone!
- Spring - Based on a studio spring reverb
- Plate - Based on a studio plate reverb
- Room - Simulates the acoustic properties of a classic echo chamber that consists mainly of early reflections
- Hall - An elongated ambient space such as a hall, stairwell or elevator shaft creates this reverb type. Dreamy!
- Chamber- Simulates the sound of a concert hall or large open space with a strong reverb tail. Imagine a gymnasium, performance hall, or cathedral
- Ducking - Built using a "Hall" but with a ducking effect. The volume of your reverb is "ducked" (reduced) while you're playing, and increases when you stop. This allows for clean musical passages with a touch of reverb that ramps up in volume once you stop playing
- Octo - Creates a lush, ambient space with a harmonized decay whose harmonic denseness is controlled by the time knob. Use volume swells and prepare to float on a cloud!
- Cave - Surreal cavernous echo chamber
- Tile - Emulates the acoustic reflections of a tiled room, such as a bathroom with bright early reflections
- Echo - Just like it says ...echo...echo...echo
Controls:
- Mix - Allows you to control the amount of reverb in your signal from dry to 100% wet.
- Decay - Controls how quickly the reverb tail fades to silence.
- Time - Controls the length of pre-delay. This is the amount of delay before the signal hits the reverb chamber.
- Tone - Allows you to adjust the tonal character of the reverb, giving you the flexibility to go from dark and subtle to bright and splashy.
- Trails Switch - When switched on, Verbzilla's processing is engaged while in bypass, so reverb smoothly trails away when you kick the effect off.
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