Yamaha MG32/14FX Mixer (32 Inputs, 14 Bus with Effects)
The new Yamaha MG FX series mixers feature three models
ranging in size from the compact 16 channel MG 16/6 FX, right up to the very
flexible 24 input MG 24/14 FX and 32 input MG32/14 FX, all with an impressive
selection of built-in effects. The MG 24/14FX and MG 32/14FX are serious mixers,
able to meet the toughest live sound challenges. Choose either the 24 input
MG24/14FX or the 32 input MG32/14MX according to your needs. The MG24/14FX is
equipped with 16 mono mic/line channels with phantom power, while the MG32/14FX
has 24. Both mixers feature 4 stereo input channels, dual digital effect systems
on-board with a selection of 16 pro-quality SPX effects, inserts on all mono
channels, and 3-band EQs with a sweepable midband and switchable hi-pass filter
provided on all input channels. Additionally, the main mono output as a
sweepable low-pass filter, so that it can be used to feed a subwoofer. If you
need a high-performance analog mixer for music production or sound
reinforcement, the Yamaha MG Series is the first -- and last -- place you should
look.
Yamaha is an unusual company. There are very few others who can claim "total
music involvement," but that is Yamaha's position. They've been making fine
musical instruments for more than 100 years, industry-leading sound
reinforcement mixers for more than 30 years, and cutting-edge digital mixers and
music production gear for 15 years. In sound-reinforcement terms, 30 years is a
very long time. In fact, 30 years is roughly equal to the total history of sound
reinforcement (the term "sound reinforcement" wasn't even used back then — it
was still "PA"), and Yamaha has been there the entire time. Innovating, leading,
and in many ways defining the development of modern mixing consoles.
They're still at it. Yamaha is proud to introduce their MG-series mixing
consoles, featuring six models ranging in size from a small 10-channel/2-bus
unit right up to a very flexible 32-channel/14-bus type with an impressive
selection of built-in effects. There have been no compromises. The MG mixers are
built for great sound, total control, and superior reliability. In fact, they
undergo the same rigorous quality and reliability tests as Yamaha's world-class
PM-series mixing consoles. But, by taking full advantage of the latest Yamaha
technology and manufacturing techniques, they have been able to pack these
superlative mixers with more value than you'll find anywhere else. In short,
they offer extraordinary performance and mixing power at remarkable prices.
If you need a high-performance analog mixer for music production or sound
reinforcement, the Yamaha MG Series is the first — and last — place you should
look.
More Details
Serious Capacity For Sound Reinforcement & Installations
If your application is live sound reinforcement, you'll want all the channel
capacity you can get - just in case. Vocal mics, instrument mics, stereo
keyboards, direct-injection feeds, drum mics, and the rest can add up very
quickly. With 24 and 32 input channels, respectively, the MG24/14FX and
MG32/14FX are ready to handle all but the most ambitious sound-reinforcement
setups. And with dual SPX digital effect systems on-board, you won't need racks
of outboard gear to get the sound you need. There's also a comprehensive range
of group and auxiliary busses to make even complex mixes easy.
24 or 32 Input Channels
Choose either the 24-channel MG24/14FX or the 32-channel MG32/14MX according to
your needs. All other features are the same. The MG24/14FX has 16 mono
microphone/line channels while the MG32/14FX has 24. Both offer four stereo line
channels in addition to the mono mic/line channels.
Low-noise, High-precision Mic Preamps With Phantom Power
All 16 mic preamps in the MG24/14FX and all 24 mic preamps in the MG32/14FX are
of exemplary quality. They offer low-noise, transparent amplification with the
widest possible range of dynamic and condenser microphones, which adds up to
cleaner, better-sounding mixes. All mic preamps feature switchable phantom power
for phantom-powered studio condenser microphones. Phantom power is switchable in
8-channel groups.
Illuminated Switches
Illuminated ON (channel), PFL (Pre-Fader Listen), and phantom-power switches let
you confirm critical console settings at a glance.
14 Buses In All For Flexible Signal Routing
In addition to lots of input channels, live sound reinforcement applications
usually demand a number of additional mixes - usually in the form of group
sub-mixes and aux sends for external signal processing and monitor mixes. In
both the MG24/14FX and MG32/14FX you have a total of 14 mix buses: the main
stereo program bus, four stereo group bus pairs for convenient channel grouping,
six auxiliary busses (four configurable for pre- or post-fader operation and two
set up as effect sends), and two internal effect busses that feed the dual
high-performance built-in effect processors.
Insert I/O
All mono input channels feature insert I/O patch points so you can insert
compressors, EQ, or other extra signal-processing gear into the channel signal
path as required.
3-band Mid-sweep Channel EQ and HPF
The 3-band equalizers with a sweepable midband provided on all input channels
are designed for exceptionally smooth, intuitive response that can help you to
create cleaner, tighter mixes. All mono microphone input channels also feature a
switchable high-pass filter that can be used to cut out unwanted low-frequency
noise.
Dual SPX Digital Effects
In the MG24/14FX and MG32/14FX you have not one, but two high-performance
digital signal processing stages, fed by separate effect buses, so you can
enhance your mix with two separate effects at the same time. And the effects are
provided by the very latest Yamaha DSP technology - you know you're getting the
best. Each stage provides a selection of 16 professional - quality SPX digital
effects, including reverb, delay, pitch change, chorus, phasing, vocal doubling,
distortion, and more. Parameter controls that can be adjusted to tailor the
effects to your sonic requirement are also provided and Tap delay makes it easy
to produce tempo-synchronized delays.
Talkback Input
Communication capability is important for efficient setup as well as for keeping
a show running smoothly. The MG24/14FX and MG32/14FX both feature a talkback
system that allows the FOH engineer to communicate with the monitor engineer,
performers, or other staff to keep the team operating at optimum efficiency.
Balanced XLR Stereo and Mono Outputs
Professional connectivity is provided by reliable XLR-type balanced stereo and
mono outputs.
Sweepable LPF for Mono Out
One of the many uses for a mono output is to drive a subwoofer system. The
MG24/14FX and MG32/14FX make this easier than ever with a built-in sweepable
low-pass filter on the mono outputs.
Specifications
- Total Harmonic Distortion: Less than 0.1 % (THD+N) 20 Hz – 20 kHz @ +14 dB
600 Ohms (ST OUT)
- Frequency Response: 0 +1, -3 dB 20 Hz – 20 kHz @ +4 dB 600 Ohms (ST OUT)
- Input Hum & Noise: -128dB 20 Hz – 20 kHz, Rs=150 Ohms, Input Gain=Maximum,
Input Pad =OFF, Input sensitivity=-60 dB
- Crosstalk: -70dB @ 1kHz
- CH Input:
- Mic: 24+1 (Input A 1 – 24, Talk Back: XLR)
- Line: 24 (Input B 1 – 24: TRS)
- Stereo: 2 (Ch 25 – 26, 27 – 28:TRS) * Ch25, 27:L (MONO) 2 (Ch 29 – 30,
31 – 32: TRS/RCA)
- Insert I/O: 24 (Ch 1 – 24: TRS T: Out, R: In, S: Gnd)
- AUX
- Send: 6 (1 – 2/Post-Pre selectable, 3 – 4/Post-Pre selectable, 5 –
6/Post: TRS)
- Return: 2 Stereo Sub In (L/MONO, R: TRS)
- EFFECT Send: 2 (1, 2: TRS)
- 2TR In: 1 Stereo (L, R: RCA)
- STEREO Insert 1 Stereo (L, R: TRS)
- GROUP Insert: 4 (1 – 4: TRS)
- REC Out: 1 Stereo (L, R: RCA)
- ST Out: 1 Stereo (L, R: XLR)
- MONO Out: 1 (XLR)
- ST SUB Out: 1 Stereo (L, R: TRS)
- GROUP Out 4 (1 – 4: TRS)
- Phones: 1 (TRS Stereo)
- Phantom Power: + 48 V
- CH & ST Ch Input Gain Control: 44 dB valiable
- CH & ST High Pass Filter: 80 Hz 12 dB/Octave
- CH EQ (MONO) –15 dB (Max.)
- High: 10 kHz (Shelving)
- Mid: 0.25-5 kHz (Peaking)
- Low: 100 Hz (Shelving)
- CH EQ (STEREO) –15 dB (Max.)
- High: 10 kHz (Shelving)
- Hi-Mid: 3 kHz (Peaking)
- Low-Mid: 800 Hz (Peaking)
- Low: 100 Hz (Shelving)
- MONO Out Low Pass Filter: 80 – 120 Hz 12dB/octave
- Internal Digital Effect: SPX x 2 (Effect 1: 16 Programs, Effect 2: 16
Programs :Parameter Control)
- Dimensions:
- Width: 41.73"
- Depth: 21.25"
- Height: 5.90"
- Weight: 52.91 lbs.
- Power Requirements: UL/CSA: 75 W 120 V/60 Hz
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